Skip to main content

Posts

Featured

Disclosure Day (Steven Spielberg, 2026, USA/Canada/New Zealand/Japan)

Disclosure Day is Steven Spielberg’s latest feature, and his first return to the sci-fi genre in almost a decade. It also brings him back into collaboration with David Koepp, the screenwriter behind some of his biggest successes, including 1993’s Jurassic Park . Set against a backdrop of renewed interest in UFOs and various government disclosures around them, Disclosure Day is a conspiracy thriller that in effect operates like one big chase scene. Disclosure Day is a bit clunky, and perhaps a lesser film in Spielberg’s canon. In many ways, it feels like a film from the 80s or 90s. This perhaps can be attributed in no small measure to Spielberg’s age - at almost 80, we can’t assume that he will be as relevant as he once was. With Emily Blunt and Josh O’Connor as our protagonists in two stories that will ultimately converge, Colin Firth is the antagonist and head of an organization that seeks to keep the truth from the world, and Colman Domingo as a strange leader figure who is bringin...

Latest Posts

The Gold Rush (Charles Chaplin, 1925, USA)

In the Court of the Crimson King: King Crimson at 50 (Toby Amies, 2022, UK)

Backrooms (Kane Parsons, 2026, USA/Canada)

Father Mother Sister Brother (Jim Jarmusch, 2025, United States/United Kingdom/Italy/France/Ireland/Germany)

Ludwig - Requiem for a Virgin King (Hans-Jürgen Syberberg, 1972, West Germany/Austria)

Obsession (Curry Barker, 2025, USA)

Searching for Ingmar Bergman (Bettina Böhler/Felix Moeller/Margarethe von Trotta, 2018, Germany/France)

Cell (Tod Williams, 2016, USA)

Picnic at Hanging Rock (Peter Weir, 1975, Australia)

The Running Man (Edgar Wright, 2025, UK/USA)